Creed is on a variety of worldwide editorial panels. But despite the particularly bitter breath I took as I started this book, I started to exhale as its contents sucked me in. This powerfully compelling polemic explores the relationship between human and animal in the context of the stray.
With close reference to a number of classic horror films including “Alien”, “The Brood”, “The Hunger”, “Carrie”, “The Exorcist”, “Sisters”, “I Spit on Your Grave” and “Psycho”, she presents a sustained analysis of the seven “faces” of the monstrous-feminine from a feminist and psychoanalytic perspective, discussing woman as monster in relation to woman as archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Read Online The Monstrous Feminine Film Feminism Psychoanalysis Barbara Creed contemporary feminist thought on the female body. In almost all critical writings on the horror film, woman is conceptualised only as victim. For an academic work, the theories are decently simply explained, though I might read through abrbara the theory chapters if you’re new to Freud. Throughout history women’s representation within horror films has consistently represented as weak, submissive and highly sexual. Jun 13, Laura rated it liked it Recommends it for: Psychoanalytic Theory and the Femme Castratrice. Barbara Creed is one of Australia’s most fdminine commentators on film and media, she is a graduate of Monash and La Trobe University, completing her doctrinal thesis and research on the cinema of horror. Horror and the Monstrous-Feminine: Youjia Lu rated it really liked it Aug 20, Jun 10, Kendra rated it it was amazing. My library Help Advanced Book Search.Ī woman’s reproductive system since the beginning of time has been constantly depicted as abhorrent and intimidating. Open Preview See a Problem? Barbara Creed analyses the seven faces’ of the monstrous-feminine: Receive exclusive offers and updates from Oxford Academic.
In The Monstrous-Feminine Barbara Creed challenges.īarbara Creed’s the Monstrous Feminine: The Dread of Difference: This article is also available for rental through DeepDyve.Įvolutionary Aesthetics, Time and Sexual Display in the Cinema, Creed examines the uncanny again through Darwin ‘s works with sexual selection and origins. In almost all critical writings on the horror film, woman is conceptualized only as victim. All human societies have a conception of the monstrous-feminine, of what it is about.